Caroline is Professor of Craniofacial Identification and Director of the Forensic Research Institute (FORRI) at Liverpool John Moores University. She is a chartered forensic anthropologist Level I (craniofacial specialism) by the Royal Anthropological Institute (RAI) and is an experienced forensic practitioner.
Caroline is currently Chair of the EU-funded COST Action for Migrant Disaster Victim Identification, a consortium created to enhance the identification of people who die trying to reach Europe from war torn or socioeconomically disrupted countries. These MDVI efforts received a Times Higher Education Award 2023 for Research Project of the Year; Arts, Humanities and Social Sciences.
Caroline is also Director of Face Lab, a research group within FORRI that carries out forensic/archaeological research and consultancy work including craniofacial analysis, facial depiction and forensic art. Craniofacial analysis involves the depiction and identification of unknown bodies for forensic investigation or historical figures for archaeological interpretation. Face Lab research relates to facial identification, craniofacial reconstruction, preserved bodies and facial animation. Face Lab has depicted the faces of King Richard III, Robert the Bruce, Ramesses II and Cleopatra.
Caroline is Fellow of the RAI, the Royal Society of Edinburgh (RSE), the Anatomical Society and the Royal Photographic Society. She received the 2016 Combined Royal Colleges Medal for excellence in clinical imaging and has appeared in multiple television series, including Meet the Ancestors (BBC), History Cold Case (BBC), Expert Witness (C4), Real crime (C5), Royal Institution Christmas Lectures 2022 (BBC) and Secrets of the Dead (PBS).
Yvonne is a voice teacher and vocal coach with credits at home and abroad to include America, Canada, the Middle East and Europe. Her work is mostly with actors, voice artists, performers and public speakers.
Formerly Head of Voice for the London Academy of Music and Dramatic Art Yvonne’s theatre credits include the Royal National Theatre, The Royal Shakespeare Company and Shakespeare’s Globe Theatre on London’s South bank. She has numerous West End credits as well as regional theatre including a long-standing relationship with York’s Theatre Royal. Beyond theatre her credits are in TV, radio and the ever-expanding world of voice artistry for animation, narration and computer games.
Both the art and science of voice have always appealed to Yvonne. The interface with medical practitioners has enabled her to work in relationship with Ear, Nose, Throat Consultants and a range of medical practitioners, particularly Speech and Language Therapists.
Over twenty years ago Yvonne developed the methodology and skills to create vocal profiling as a way for performers to safely and accurately imitate the voices of others. This approach has been used for stage and screen productions; most notably in several documentaries where historical re-enactment has been required.
Papers delivered to various conferences at home and abroad include for Voice Care Network UK and the British Voice Association. She co-authored More Care for Your Voice and published an App: Voice Coach (Apple and Android).
In August 2020 Yvonne moved to a small-holding in North Yorkshire to run a not-for-profit wellness centre … and realised that this was in the heart of Richard III country…
David Crystal is honorary professor of linguistics at the University of Bangor, and works from his home in Holyhead, North Wales as a writer, editor, lecturer, and broadcaster in language and linguistics. Born in Lisburn, Northern Ireland, he spent his early childhood in Holyhead, attended secondary school in Liverpool, and read English at University College London. After a research year at UCL's Survey of English Usage, he lectured at Bangor and then Reading, where he became professor of linguistic science. He left the full-time university world in 1984 to work as an independent scholar. An autobiographical memoir, Just a Phrase I'm Going Through, appeared in 2009.
His writing takes in most areas of language study, his best-known authored books being The Cambridge Encyclopedia of Language (3rd edition 2010) and The Cambridge Encyclopedia of the English Language (3rd edition 2019). There's a complete bibliography on his website, www.davidcrystal.com.
His interest in reconstructing earlier periods of English pronunciation, to enable works to be presented or performed in contemporary accents, began in 2004, when he was invited to work with the company at Shakespeare's Globe in London on a production of Romeo and Juliet in original pronunciation (now generally referred to as 'OP'). This was written up in Pronouncing Shakespeare (2005, updated edition 2019) and the general approach in The Oxford Dictionary of Shakespearean Pronunciation (2016).
He has since worked with several theatre companies and early music ensembles on OP performances of works from Shakespeare's time, and in 2013 the approach was used for an earlier period in a British Library CD: Tyndale's Bible: Saint Matthew's Gospel in Original Promnunciation. The Old English period is covered in the dedicated OP website www.originalpronunciation.com, and the third edition of the English Language encyclopedia has an associated website at Cambridge University Press which includes audio extracts from the Middle English period.
Other books that relate to 'A Voice for Richard' are The Stories of English (2004), which includes the period in which Richard lived, and Sounds Appealing: the Passionate Story of English Pronunciation (2018), which introduces the subjects that provide the frame of reference for work in OP: phonetics and phonology.
Matt Lewis is a medieval historian, writer, podcaster, and presenter with a particular interest in the Wars of the Roses, Richard III, and the Princes in the Tower. Matt’s books include accounts of The Anarchy, the Wars of the Roses, biographies of Henry II and Eleanor of Aquitaine, Henry III, Richard Duke of York, and Richard III, as well as The Survival of the Princes in the Tower.
As co-host of History Hit’s Gone Medieval podcast, Matt tries to bring many facets to medieval history to a wider audience in an easily digestible way. Covering topics from the Venerable Bede to Joan of Arc, from Vikings to coronations, Gone Medieval offers a fun and engaging way to understand the medieval period.
As a presenter at History Hit, Matt has worked on documentaries covering topics including Richard III, the Peasants’ Revolt, King Arthur, and the history of coronations, as well as a number of YouTube films. This role provides great opportunities to bring fascinating stories to screens. Matt has also appeared as a contributor in documentaries on a number of subjects, most notably on the Princes in the Tower. His interest in Richard III in particular led to his appointment as Chair of the Richard III Society.
Matt is active on social media, and can be found on several platforms talking about facets of medieval history.
Twitter / X: Matthew Lewis (@MattLewisAuthor) / X
Facebook: Facebook
Instagram: Matthew Lewis (@mattlewishistory) • Instagram photos and videos
Threads: Matthew Lewis (@mattlewishistory) on Threads
Website: Matt Lewis - Home
Philippa Langley is an historian and award-winning producer, best known for her discovery of Richard III in 2012. She is co-author of the bestselling The Lost King with Michael Jones (first published as The King's Grave, John Murray 2013), and Finding Richard III, the official account of her Looking For Richard Project. On the ten-year anniversary of discovering Richard III, her extraordinary story was released as the internationally acclaimed major feature film, The Lost King, directed by Sir Stephen Frears and starring Sally Hawkins.
In November 2023, Philippa once again rewrote the history books in her new work: The Princes in the Tower: Solving History’s Greatest Cold Case (The History Press, UK; Pegasus, USA). Based on her remarkable new research initiative The Missing Princes Project its now seven-year investigation revealed the Princes survived to challenge Henry VII, the first Tudor monarch, for the throne of England. The project was made into a feature-length Factual Special TV documentary by Channel 4, PBS in America and SBS in Australia.
Dr. David Johnson
David Johnson, historian and writer, was awarded an MA in Historical Research by the University of Hull and a PhD in History by the University of York. He is a member of the Research Committee of the Richard III Society and a contributor to the Ricardian Bulletin, the Society’s members magazine, and The Ricardian, the Society’s scholarly journal. He has also written several articles for the Richard III Society website. He is the author of Adwalton Moor 1643: The Battle that Changed a War, published by Blackthorn Press in 2003. He is currently researching for publication 1483: Kingship in Crisis, an examination of the constitutional emergency which led to the accession of Richard III.
https://revealingrichardiii.com/johnson.html
https://richardiii.net/richard-iii-his-world/his-life-and-death/the-north/
https://richardiii.net/richard-iii-his-world/reputation/our-poor-subject-katherine-bassingbourne/
Wendy Johnson
Wendy Johnson is a full-time writer, and has been a member of the Richard III Society for almost forty years. Along with her husband, David, she is a founder member of Philippa Langley’s Looking For Richard Project, which successfully located the king’s lost grave in 2012, and in 2014 she co-authored Finding Richard III: The Official Account of Research by the Retrieval and Reburial Project.
Wendy’s debut novel The Traitor’s Son, the first in a Ricardian trilogy, was published by Made Global Publishing in April 2024, and is available in both paperback and e-book. She is currently working on the sequel.
“A stunning debut novel that draws the reader into a skilfully woven and utterly believable fifteenth century.” Matthew Lewis, historian and writer.
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